Investigation of a Citizen Above Justice

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I’m not sure why Hillary Clinton does anything she does, but I know she has a way of reminding me of old movies. Gangster movies, of course — though not the Godfather kind, in which you’re supposed to sympathize with the profound psychological and metaphysical conflicts of the leading characters. No one actually sympathizes with Hillary Clinton. I’m reminded more of the primitive gangster films, which teach you that some guys just want to be king of the world and will do anything to reach the peak, or preserve the illusion.

Those aren’t the only movies I associate with her. She often makes me think of His Girl Friday, where Earl Williams, the goofy gunman, is involved in so many ridiculous and, as Donald Trump would say, unbelievable incidents that a newspaper reporter says, “I’m pretending there ain’t any Earl Williams.”It’s a relief to pretend that there ain’t any Hillary Clinton.

Clinton violated the law, grossly, repeatedly, and ridiculously. She then told a long string of gross and ridiculous lies.

But the strongest cinematic parallel I can find to the Clinton story is a once-famous Italian movie that is called in English Investigation of a Citizen Above Suspicion (1970). In it, a ranking police officer commits a crime and then gets the idea of establishing his superiority to normal people by submitting to an investigation that shows he is guilty — obviously guilty — yet does not lead to his arrest.

The parallel with Clinton is evident. In the emails episode alone, Clinton violated the law, grossly, repeatedly, and ridiculously. She then told a long string of gross and ridiculous lies, all of them conflicting preposterously with common sense, and with one another. The FBI, led by the vaunted Mr. Comey, spent thousands of hoursinvestigating her, located (without any difficulty) the incriminating facts, listened to many additional ridiculous lies, and discovered that Citizen Clinton could not be prosecuted because there was no evidence she intended to violate any of the laws she schemed to violate.

That’s basically how the Italian movie turns out. The power structure can never conceive of indicting one of its own. The bad guy wins — in two ways, one of them more important to him (and to me) than the other. He doesn’t get indicted; that’s the relatively unimportant win. The more important one is his demonstration that people like him are above the law. Members of the elite are never punished; they are immune. Their immunity is the proof of their status, the validation of their identity, and the source of their joy. That’s the vital thing. If you wonder what Mrs. Clinton does with the time she doesn’t spend on fundraising (and, of course, lying), I think I have an answer. She spends most of her time laughing at honest people who have a job.

/em




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Not Just Another Gangster Film

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Did we really need another big, bloody, blockbuster of a gangster film?

Well, we may not need another one, but I'm mighty happy to have this one. Gangster Squad is smart, classy, brilliantly acted, creatively conceived, and surprisingly fun. It tells an important story, too, about how gang bosses build their territory and why it is so difficult to get rid of them.

The film is set in postwar Los Angeles and tells the mostly true story of Mickey Cohen (Sean Penn) — a high-profile gangster from New York and Chicago who wants to make L.A. his exclusive territory — and the cops who go after him. Cohen trades in drugs, women, and gambling. A former prizefighter, he is brutal in his punishment of anyone who fails him or crosses him. He is determined to become the kingpin of the West Coast, and Sgt. John O'Mara (Josh Brolin), an honest cop and World War II vet, is just as determined to stop him. But to do that, he will have to fight half the cops in L.A., because most of them are on Cohen's payroll.

I believe in the power of the free market, but I ask you: how can profit incentive alone produce honest cops? It's hard to keep crime down when the price of cops keeps going up. The bad guys will always have more money than the good guys to buy the cops' loyalty. Cohen says cynically, "A cop that's not for sale is like a dog with rabies. There's no medicine for it. You just gotta put 'im down."

Honest cops have to be motivated by more than money. They have to care passionately about the people and the town. O'Mara and his gang have that kind of passion. Fresh out of the war, they have the military mindset of men who believe in their cause and are willing to die for it. They risked their lives to defend America's honor and her way of life, and then they came home to a city facing corruption. One of them muses, "A bright future — that's what we fought for, right? I'm not gonna let Mickey Cohen take that away from us."

Can profit incentive alone produce honest cops? It's hard to keep crime down when the price of cops keeps going up.

That kind of honor-driven determination makes the members of the gangster squad very dangerous to criminals. And to themselves. They take risks no one would accept for a paycheck alone, and they do things no cop oughta do without a warrant, a trial, and a sentence. After one particularly deadly shootout, O'Mara says, "War taught us how to fight, and now that's all we know how to do. We don't know how to live, only how to fight. We might as well be Mickey Cohen."

In many respects Gangster Squad is a classic mission movie in the style of The Magnificent Seven or The Dirty Dozen. As O'Mara assembles his team of honest cops turned rogue assassins, we get to know their personalities and strengths. Ryan Gosling is the Steve McQueen of the group. Even the way he smokes is cool, sexy, and smart. So is the stylized way he shoots. He has the sly smile and enigmatic eyes that tell us his character is as unpredictable as nitroglycerin. Giovanni Ribisi is the family man whose expertise is communications technology — sort of the "Radar" of this group. Robert Patrick is the anachronistic cowboy, a sharpshooter and soothsayer rolled into one.

Director Ruben Fleischer has a great eye for style. He uses his sets, colors, costumes, gorgeous cars, and cinematic magic to suggest a graphic novel brought to life. O'Mara has the strong jaw, steely squint, and classy fedora of a Dick Tracy. Grace Faraday (Emma Stone) with her deeply colored lips, sultry movements, and sideswept hairstyle suggests Veronica Lake — or perhaps Jessica Rabbit. Side characters such as Chief Parker (Nick Nolte) and Lt. Quincannon (Jack McGee), with their distinctive noses and gruff bravado, look like the supporting characters in a Spiderman comic book. The script, written by first-time screenwriters Will Beall and Paul Lieberman, almost falls into parody at times, but the actors carry it off without cracking a smile. The dialogue is witty and sophisticated, while the story is deadly serious. It's a winning combination.

If President Obama wanted a poster movie for his war on automatic weapons, this one is it. The film was supposed to be released in September, but after the shooting in an Aurora movie theater in mid-July, they had to pull it from distribution and rewrite the climactic scene, which originally took place in a crowded movie theater. The scene now happens on a crowded street in Chinatown, but its veiled allusions to Graumann's Chinese Theater and the film Chinatown, which was considered very violent when it was made in 1974, serve as reminders of what the scene originally entailed. I'm not so sure the change of venue makes that much difference — civilians are still being gunned down in droves in a public square — but the move seems to have made director Fleischer and the rest of the cast feel better about the film. I wonder if a similar sense of social consciousness will prompt Quentin Tarantino to remove the climactic theater massacre from Inglorious Basterds, or cause TNT and others to edit out the ending when they show it on TV. Somehow I don't think that will happen . . .

Gangster Squad is a bit bloody for some tastes, but it's easy to know when to look away if you're the squeamish type. Meanwhile, the fine acting, engrossing story, witty script, and artistic cinematography make it worth the effort.


Editor's Note: Review of "Gangster Squad," directed by Ruben Fleischer. Warner Brothers, 2013, 114 minutes.



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